2371. Expo 92. Pabellón Húngaro

 

Querida Cristina,

"Me tomo la arquitectura en serio. Para mí, la arquitectura

es un ejercicio estilístico, no un servidor de las tendencias

económicas globales con ansias de poder. La arquitectura

es un medio para apreciar la naturaleza divina del alma

humana." (Imre Makovecz)

Besos,

R

2352. Siófok. Evangélikus templom.

 

Querida Cristina,

Uno de las 7 torres del pabellón de Hungría de la

Exposición Universal  de Sevilla de 1992 está

inspirada en la torre de esta iglesia diseñada por el 

mismo extraordinario arquitecto: Imre Makovecz.

Besos,

R

2118. Sevilla. Expo'92. Pabellón de Hungría

 

Dear Attila,

”It seems to me that contemporary architecture 

wholly misunderstands the situation and the creative 

experimenta­tion by Makovecz and others, which 

have opened up an entirely novel per­spective while 

remaining firmly rooted in tradition.”

(Paolo Porthogesi)

"I take architecture seriously. Architecture is a 

stylistic exercise for me, not a servant subjected to 

global economic trends longing for power…but…a 

means to cherish the divine nature in human soul"

(Imre Makovecz)

Sincerely,

R

2079. Százhalombatta. Szent István templon

 

Dear Stephen,

"The idea of this church is that petrified trees surround

a circular space on which earth and sky meet"

(Imre Makovecz)

Regards,

R

2056. Sárospatak. A Művelődés Háza.

 

Dear Jonathan,

"My aim is to counteract the insensitive spell of

technical civilization using supersensitive imaginative

power" (Imre Makovecz)

Sincerely,

R

2050. Millénniumi Templom, Csíkszereda

 

Dear Attila,

"My buildings do not come from me. They come from the

landscape, from the local environment, and from the 

ancient human spirit." (Imre Makovecz)

Respectfully,

R

2049. Pázmány Péter Katolikus Egyetem. Iosephinum Vocational College. Piliscsabai, Hungary

 

Dear Rem,

"My architecture is humanized architecture, it is

focused on man. (...) The human face is an imaginary

geography" (Emro Makovecz)

Sincerely,

R